The Girl with Blue Eyes

Anphouc is an 11 years old girl from Vietnam. her pairs of big bright blue eyes attracted many photographers from all around the world to visit her. she is one of the Vietnam tourist attractions icons but despite all that, An Phouc and her family are suffering from poverty and struggling with racism. She also has some bad memory of modeling for some doggy Photographers.


GADIYA LOHAR

This documentary is an “Ethnography” which describes the lives of Gadiya Lohars, who are nomadic community of Rajasthan , India, they are also known as Military of Maharana Pratap (Emperor).


The Many Pink Triangles

This documentary tells the story of the LGBTTI communities who have suffered persecution, prison and torture for their sexual condition under different military dictatorships in recent decades.
The idea borns from the photographic and archival project for the recovery of the historical memory of the different LGBTTI communities in the world, a chapter of history too often hidden and forgotten.
This first chapter is a journey around Spain, Chile, Argentina, Uruguay, countries where the dictatorship has strongly marked the history of the LGBTTI community, oppressed by police regimes and social intolerance.


An Outsider’s Perspective

The United Kingdom is renowned for it’s multicultural and diverse society. But has the theme of ‘community’ changed or faded? And how do outsiders perceive the working class, council estates of the United Kingdom?


Behind the Scene

Behind the scenes shows images of children in their drama classes, narrated by a teacher, a doctor-psychoanalyst and a pedagogue who explain the benefits of this artistic education in children.


Hey! Teachers!

LEAVE THE KIDS ALONE?
Two young intellectuals, Katya and Vassya, come to a small industrial town to work as teachers. They want to change the system of scholastic education and the social situation in difficult regions. The school is a closed conservative world, where obedience and discipline are of the highest value. Young teachers discover that nationalism, sexism and homophobia are typical for their new environment. Children see the school as a prison and are completely indifferent to any new ideas. During one school year we observe attempts of our protagonists to bring new practices into the system. Young teachers try to speak with children about feminism, human rights and Russian politics, but the system pushes them out, and a comedy turns into a drama


100 years of honorable life

Haji Zeynalabdin Taghiyev was one of the most famous people in Azerbaijan, he was an oil millionaire, and philanthropist. He has invested a lot of money for the development, education of his nation, he has established the first female school in the East. On 28 April 1920 Soviets took Azerbaijan, all wealth of Haji Zeynalabdin Taghiyev was taken, his family members were imprisoned, or died because of hunger. He was the one who gave education to most of the Bolsheviks. His wealth was roughly 30 million rubles at the end of 1917. According to estimations, this amount would be at least 21 billion USD with today’s currency.

All events shown in this movie are part of history, viewers will learn and take advantage a lot from this documentary, we gathered information for 30 years from archives.

We made this movie based on materials collected from archives for 20 years, it resembles a history book. The ones who select this movie will be grateful because everybody will learn and enjoy. Please help us to sell it. This movie has never been shown to the public. We have submitted to FilmFreeWay at the first place.

His younger son moved to France. After 100 years (01.11.2019 ) we found his great-grandchild. He lives in Levallois-Perret, France, his name is Alban Claude.

Here you can get information about his visit:
http://www.aztv.az/en/news/2683/taghiyevs-great-grandson-on-air-of-aztv-today
https://www.youtube.com/watch?v=Cy-qc85Voq4  


In The Green Room

Kasiel Noah Asher, Krasimira Kuzmanova, Lilia Maraviglia and Stefka Yanorova are all talented female actors with different creative and personal biographies. The things they share are the education in the Sofia Theatre Academy and the reputation as established performers in plays, films and TV. The trade has its own rules and their interactions are not an exception – they are riddled with competition, putting their friendship under a continuous strain.
But a fatal attraction commands them to work together one more time. The reason is their love for the legendary Valeri Petrov play “Theatre, My Love”. Playing the roles of actors in it, they play themselves, building together the complicated character of “the Actress” by pieces of their own lives. Emotions flow from the green room to the stage and back. Old wounds open, new fires ignite. The theatre life and the theatre of life become one. The metaphorical world of the play becomes home for the everyday lives of the women, a place where their triumphs and miseries become real.


Nishaan

In some Iranian ethnic groups,girls and boys,
from adolescence,are forced to nominate elders
by donating a gift colled “Nishaan”. 


Heritales @ Biblioteca Municipal Almeida Faria – Montemor-O-Novo – Portugal (25th of October 2019)

Cinema e Resistência

The CineClube & Municipal Theater of Montemor-o-Novo in partnership with the Festival Heritales, are joining once again for the event Cinema e Resistência at the  auditory of the Biblioteca Municipal Almeida Faria in Montemor-o-Novo (Portugal).

The Montemor-o-Novo Municipal Cineclub & Film Library, in partnership with the Almeida Faria Municipal Library Reading Club, promotes literary journeys and a film cycle on the theme of resistance.

The Cinema and Resistance cycle intends to contribute to launch the debate about the relations between the act of making cinema and the act of resist. The resistance to Status Quo, the resistance of the black woman and the representativeness of the Blacks, The resistance and the body or the memory and the Resistance. Resist making cinema as a way to fight for the rights of the oppressed, the discriminated or for denouncing and combating racism. These are just some of the aspects to be addressed by programming the CINEMA AND RESISTANCE Cycle.

  • Target Audience: General public, families, children, adults, seniors,
  • Day: 25th of October 2019
  • Time: 21.30
  • Duration: 90min
  • Location:  Municipal Library of Montemor-O-Novo
  • Presence of the director: Video-conference
  • Registration: No registration required but lçimited space available
  • Extra Activities: Presentation and debate with Nicola Schiavottiello & Maria Zozaya  co-directors of Heritales.

Download event’s poster

Download event’s program (Portuguese)

They won’t steal my voice

Lisbon; March 2018. At the Women’s March,
against wage inequality,
gentrification, xenophobia, gender violence,
femicide. Adelaide (36), poet, and Naire (68),
retired lawyer march together for
changes while unraveling the differences
generational in their struggles. Six days later, at
Brazil, Marielle Franco is murdered. Not us
We will shut up.


Terra Yanomami

claudia-andujar ImageThe Yanomami have not been properly consulted about their views and have little access to independent information about the impacts of mining.

Davi Kopenawa, a leading Yanomami spokesman and President of Hutukara

Yanomami Association, warns of the dangers.

‘The Yanomami people do not want the national congress to approve the law or the president to sign it. We do not want to accept this law.

‘Our land has to be respected. Our land is our heritage, a heritage which protects us.’

‘Mining will only destroy nature. It will only destroy the streams and the rivers and kill the fish and kill the environment – and kill us. And bring in diseases which never existed in our land.’

http://www.survivalinternational.org/tribes/yanomami


Tempestades Ensaio  de Um Ensaio

A documentary essay about text
that penetrates lives and lives that penetrate text.
In September 2015 the GRIOT theater – a company in Lisbon, whose actors are mostly afro-descendants – started the rehearsal of The Tempest, original title) with acclaimed director Bruno Bravo in a small coastal village. Starting with the first rehearsals the movie explores the text Shakespeare and the biography of the actors, the play and the landscape and covers topics such as memory, home, emigration, colonialism and resistance. A complex mosaic of multiple voices.