Cinema e Resistência
The CineClube & Municipal Theater of Montemor-o-Novo in partnership with the Festival Heritales, are joining once again for the event Cinema e Resistência at the auditory of the Biblioteca Municipal Almeida Faria in Montemor-o-Novo (Portugal).
The Montemor-o-Novo Municipal Cineclub & Film Library, in partnership with the Almeida Faria Municipal Library Reading Club, promotes literary journeys and a film cycle on the theme of resistance.
The Cinema and Resistance cycle intends to contribute to launch the debate about the relations between the act of making cinema and the act of resist. The resistance to Status Quo, the resistance of the black woman and the representativeness of the Blacks, The resistance and the body or the memory and the Resistance. Resist making cinema as a way to fight for the rights of the oppressed, the discriminated or for denouncing and combating racism. These are just some of the aspects to be addressed by programming the CINEMA AND RESISTANCE Cycle.
- Target Audience: General public, families, children, adults, seniors,
- Day: 25th of October 2019
- Time: 21.30
- Duration: 90min
- Location: Municipal Library of Montemor-O-Novo
- Presence of the director: Video-conference
- Registration: No registration required but lçimited space available
- Extra Activities: Presentation and debate with Nicola Schiavottiello & Maria Zozaya co-directors of Heritales.
Download event’s poster
Download event’s program (Portuguese)
They won’t steal my voice
Lisbon; March 2018. At the Women’s March,
against wage inequality,
gentrification, xenophobia, gender violence,
femicide. Adelaide (36), poet, and Naire (68),
retired lawyer march together for
changes while unraveling the differences
generational in their struggles. Six days later, at
Brazil, Marielle Franco is murdered. Not us
We will shut up.
Barbara Cunha
Barbara Cunha holds a Design and postgraduated in Studies of Image and Contemporary Culture. She began her career in cinema in 2000 and in 2007 she founded the 99 Produções with the aim of producing audiovisual works and art visual work that have technical and artistic quality for the national and international markets. Her company works with international co-productions, we aim to fully involve the participating countries not only focusing on the financial support, but also in the artistic and technical collaborations between the partners. She is currently directing 2 documentaries and developing a feature fiction film. In visual arts, she uses the photography as her main platform. Most of her personal projects deals with the feminine, the body image its transformations, achievements, limitations, fears, scars. Speaks french, english and spanish, beside portuguese, her first language.
Terra Yanomami
The Yanomami have not been properly consulted about their views and have little access to independent information about the impacts of mining.
Davi Kopenawa, a leading Yanomami spokesman and President of Hutukara
Yanomami Association, warns of the dangers.
‘The Yanomami people do not want the national congress to approve the law or the president to sign it. We do not want to accept this law.
‘Our land has to be respected. Our land is our heritage, a heritage which protects us.’
‘Mining will only destroy nature. It will only destroy the streams and the rivers and kill the fish and kill the environment – and kill us. And bring in diseases which never existed in our land.’
http://www.survivalinternational.org/tribes/yanomami
Survival
We are Survival, the global movement for tribal peoples’ rights.
We’re the only organization that champions tribal peoples around the world. We help them defend their lives, protect their lands and determine their own futures.
Tribal peoples have developed ways of life that are largely self-sufficient and extraordinarily diverse. Many of the world’s staple crops and drugs used in Western medicine originate with them, and have saved millions of lives. Even so, tribal peoples are portrayed as backward and primitive simply because their communal ways are different. Industrialized societies subject them to genocidal violence, slavery and racism so they can steal their lands, resources and labor in the name of ‘progress’ and ‘civilization’.
Our work is preventing the annihilation of tribal peoples. We give them a platform to speak to the world. We investigate atrocities and present evidence to the United Nations and other international forums. We support legal representation. We fund medical and self-help projects. We educate, research, campaign, lobby and protest. And we won’t give up until we all have a world where tribal peoples are respected and their human rights protected.
We depend on you. We need your money, energy and enthusiasm to help us fight one of the most urgent and horrific humanitarian crises of our time.
http://www.survivalinternational.org
Tempestades Ensaio de Um Ensaio
A documentary essay about text
that penetrates lives and lives that penetrate text.
In September 2015 the GRIOT theater – a company in Lisbon, whose actors are mostly afro-descendants – started the rehearsal of The Tempest, original title) with acclaimed director Bruno Bravo in a small coastal village. Starting with the first rehearsals the movie explores the text Shakespeare and the biography of the actors, the play and the landscape and covers topics such as memory, home, emigration, colonialism and resistance. A complex mosaic of multiple voices.
Uli Decker
Uli Decker was born in the Mountains of South Bavaria in Germany. She had a great interest in story telling from a very young age and a love for theatre, performance and fotography. After having spent a year living with farmers in the Amazon forest of Brazil, she studied Spanish & Portuguese Literature and Theatre & Film Studies at King’s College London, Humboldt-Universität Berlin and Universidad Complutense Madrid.
She travelled extensively to different countries and that way learned most Roman languages. Accompanying her studies she worked as a freelance journalist, actress, assistent director in theatres and film productions and started to make her own films. In order to specialize on documentary filmmaking she got her Masters Degree in Creative Documentary from Universidad Pompeu Fabra in Barcelona and her specialization as a Camera Woman from Film Arche Berlin.
She lives in Berlin and works as a camera woman and filmmaker for video clips and documentaries and founded ulises films in 2012.
The Yanomami have not been properly consulted about their views and have little access to independent information about the impacts of mining.
